Howie Schneider was Born 1930, in New York, NY.
Career
Editorial cartoonist and sculptor. Providence Banner, Providence, RI, editorial cartoonist, beginning 2000. Cofounder of Yearrounders Festival, Provincetown, MA. Member of board, Newspapers Features Council and National Cartoonists Society.
Awards, Honors
Two New England Press Association Awards for Best Editorial Cartoon, for work on Provincetown Banner.
Sidelights
Although Howie Schneider spent much of his career as an editorial cartoonist and creator of the long-running comic strip “Eek and Meek,” he led something of a dual life as the author and illustrator of humorous books for children. His first three picture books, written between 1987 and 1990 and beginning with Amos: The Story of an Old Dog and His Couch, were coauthored with his wife, writer Susan Seligson and feature the adventures of a sedentary Irish setter. Schneider’s subsequent self-illustrated books for children included Uncle Lester’s Hat, Chewy Louie, and Wilky the White HouseCockroach. He occasionally collaborated with other writers, producing illustrations for Olga Cossi’s Gus theBus and Jean Davies Okimoto’s Blumpoe the Grumpoe Meets Arnold the Cat,the latter book a humorous tale about a curmudgeonly man and a persistent pussycat that is enlivened by what a Publishers Weeklyreviewer described as “winsome, nostalgic illustrations.”
Born in 1930, Schneider started his “Eek and Meek” comic, about a pair of darkly philosophical mice, in 1965. Picked up by United Media, the strip grew in popularity, appearing in syndication in over 400 newspapers before its author decided to call it quits in 2000. Three years later, Schneider returned to newspapers via “The Sunshine Club: Life in Generation Rx,” a strip geared for ageing baby boomers. Highlighting a host of senior moments via its cast of ageing animal characters—including Uncle Bunty, George, Edna, Willard, unhappily widowed Fran, the happily married Bovines, the television-addicted Badgers, and elder statesman Professor Noodle—”The Sunshine Club” was syndicated in dozens of newspapers before ending shortly before Schneider’s death in 2007. Making his home on Cape Cod, Massachusetts, Schneider also worked as an editorial cartoonist for the Provincetown Banner.In a 2004 interview with Editor & Publishercontributor Dave Astor, Schnieder noted of his return to comics following the end of his “Eek and Meek” series: “You get in the habit of looking at the world through these little droplets of humor. If you don’t have characters’ mouths to put observations in, you feel frustrated. It’s like taking away a ventriloquist’s dummy.”
Schneider’s picture books often included dog characters. In Chewy Louie, for example, a growing puppy finds that his opportunities to chew expand as he grows, and from his toys and food bowl his nibble radius ex-
pands to his family’s furniture, the family car, and even the family house. Try as they might, obedience trainers cannot break the fuzzy black pup of his destructive habit, so all must wait until he matures into a full-grown dog. Noting Schneider’s upbeat cartoon drawings for the book, Booklist reviewer Todd Morning praised Chewy Louie as “a goofy tale with a lot of kid appeal.” Also noting the book’s lighthearted humor, Maryann H. Owen wrote in School Library Journal that “Chewy Louie’s exuberance is almost palpable and his teeth marks are everywhere” in Schneider’s “entertaining tale.” No Dogs Allowed, another book by Schneider, also spins a silly story, this time focusing on a family’s efforts to thwart a hotel’s rule against pets by dressing their dog Mercer as an erudite Frenchman.
Schneider presented readers with a witty play on everything from high-tech security systems to bug behavior in Wilky the White House Cockroach. Illustrated with Schneider’s characteristic spare cartoon drawings, a little cockroach named Willy hides in a pizza box leaving his family’s pizza parlor home and winds up hitching a ride into the Oval Office, where the president and his staff are looking forward to lunch. When Wilky is spotted scuttling across the presidential desk and across the floor into the War Room in an effort to escape, he becomes the object of a hunt that spins out of control and eventually includes the Minister of Creepy Crawlies and the Exterminator General, as well as a representative of every national media outlet. Fortunately, recalling the advice of his wise and long-lived Uncle Julius, Wilky manages to survive his short stint as a national security threat. In Booklist Carolyn Phelan remarked on the book’s appeal for both children and adults, and called Wilky the White House Cockroach“broadly comical in effect,” and a Publishers Weekly writer noted that the author/illustrator’s “clear drawings enable beginning readers to easily grasp the plot” of a “mischievous twist on a familiar story.” While calling Schneider’s tale “slight,” Wendy Woodfill concluded in School Library Journal that Wilky the White House Cockroach contains “zany illustrations [that] are filled with sophisticated humor.”
